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ALIENATION IN ROOM AT THE TOP: JOE LAMPTON’S TRANSFORMATION INTO THE STEREOTYPICAL OTHERS OF HIS MIND
TEPEDEKİ ODA'DAKİ YABANCILAŞMA: JOE LAMPTON'IN ZİHNİNDEKİ STEREOTİP ÖTEKİLERE DÖNÜŞÜMÜ
ALIENATION IN ROOM AT THE TOP: JOE LAMPTON’S TRANSFORMATION INTO THE STEREOTYPICAL OTHERS OF HIS MIND
Author
:
Mustafa DEMİREL
Type
:
Printing Year
:
6
Number
:
18
Page
:
300-315
DOI Number:
:
Cite :
Mustafa DEMİREL , (6). ALIENATION IN ROOM AT THE TOP: JOE LAMPTON’S TRANSFORMATION INTO THE STEREOTYPICAL OTHERS OF HIS MIND.
International Journal Of Eurasia Social Sciences
, 18, p. 300-315. Doi: .
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Summary
Bu çalışmada, Joe Lampton savaş sonrası İngiltere'sindeki "Öfkeli Genç Adamlar" hareketinin kahraman modeli olarak incelenir. İlk olarak hareket ve onun temel kavramları açıklanır ve daha sonra 1950'lerin romanlarının kahraman modellerine dikkat çekilir. Bu kahraman modellerinin yabancılaşma sebepleri ortaya konulduktan sonra çalışma Joe Lampton'ın kendine özgü hayal kırıklığı ve yabancılaşmasını ele alır. Çalışmanın kalan kısmında Joe Lampton'ın kendisinin yarattığı hayali kavramlarla dolu olan zihni merkezdedir. Geçmişindeki ve şimdiki zihniyetine karşılaştırmalı bir bakış açısı ile başkahramanın bir zaman sonra kendi stereotip karakterlerinin kurbanı olduğu iddia edilir. Geçmişine dayanan düşük statüsü ve üst sınıflar arasında edindiği yeni kimliği arasındaki ikilem hem başkahramanın karakterinde hem de hikayenin sonunda belirsizliğe neden olur.
Keywords
Yabancılaşma, Öfkeli Genç Adamlar, Sınıf, Kimlik, Stereotip
Abstract
Throughout this study, Joe Lampton is examined as a model hero of "Angry Young Men" movement in post-war Britain. In the first place, the Movement and its basic notions are explained and then the attention is directed to the hero patterns of 1950s' fictions. After the reasons of alienation for those hero models are posed, the paper deals with Joe Lampton's particular case of disappointment and alienation. For the rest part of the study, Joe Lampton's psyche, which is full of self-created imaginary conceptions, is at the center. Through a comparative stance to his past and present mindset, it is claimed that after a while the protagonist becomes victim of his own stereotypical characters. The dilemma between his lower status based on his past and his new identity adopted among the upper brings about ambiguity for both the protagonist's character and the story's end.
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Keywords
Alienation, Angry Young Men, Class, Identity, Stereotype