This scholarly article examines the depiction of the Gypsy community in Turkish cinema, focusing on 44 films released between 1950 and 2012. The aim of this study is to critically assess whether Gypsy characters in these films are portrayed merely as stereotypes or as fully realized characters with depth and complexity. This interest stems from the broader societal fascination with diverse cultures, particularly how mainstream narratives handle the customs, life experiences, and viewpoints of the Gypsy people. The research method entails a detailed content analysis of films that feature Gypsy characters, with specific attention to how these characters navigate their identities and the concept of 'otherness'. The term "Gypsy" is used thoughtfully throughout the paper, adhering to preferred contemporary nomenclature that respects the community’s identity while distancing from historically laden and pejorative labels. Results indicate a predominance of stereotypical portrayals within Turkish cinema, with Gypsy individuals frequently depicted as fortune-tellers, thieves, sorcerers, and exotic dancers who engage in colorful, musical performances. These characters often lack depth and are portrayed using a limited range of behaviors and language styles, which fails to capture the full breadth of the Gypsy identity. The study concludes that Turkish cinema has largely failed to move beyond superficial depictions of the Gypsy, highlighting a critical need for more nuanced and respectful representation in film. This paper contributes to the discourse on media representation of ethnic minorities, calling for a shift towards portrayals that genuinely reflect the diversity and richness of Gypsy culture.

Gypsy, ethnographic representation, Turkish cinema, stereotypes, media studies, cultural analysis.